Generally, the U67 was better for capturing the “authenticity” of a sound, and handled the subtle changes in room acoustics well (particularly for jazz, folk & classical). I liked "B" the least. Phenomenal music can be made on a budget. U67 vs TLM67: Vintage Tubes & Transformers vs Modern FET Technology. Click here to login, The ability to reply to and create new discussions, Access to members-only giveaways & competitions, Interact with VIP industry experts in our guest Q&As, Access to members-only sub forum discussions, Get INSTANT ACCESS to the world's best private pro audio, Promote your eBay auctions and listings for free. All rights reserved. I only listened to short durations for each individual audio clip. The TLM 67 feels slightly processed in comparison – the lack of tube/transformer “warmth” becomes apparent when recording instruments without an abundance of low-frequency energy. They're missing in both folders. Recording Advice | Gear Shootouts, Neumann, Peluso Microphones, Warm Audio. Singer/Songwriter Wes Hutchinson helps with the side by side comparisons of the AKG C414 XLII, the Neumann U87ai, the Neumann TLM 107, a Soyuz SU-017, and a vintage Sony C37. It’s hard to compare the mics against each other since they’re different takes, but they all seem good to me. B seemed to have a little more upper midrange bite on the male vocals. "F" is not bad at all, it has a good resolution, but has some boosts in the upper and presence registry, while I prefer the natural timbre of most the others (just a timbre preference though, the mic is excellent). Since I might remove a lot of that low mid weight in a mix, anyways, E could prove to be the most mix ready option. 9 times out of 10, the U67 was selected as the primary microphone for recording male vocals. However, as a studio owner & full-time producer, we’re constantly striving to push the boundaries of what is sonically possible within an acoustic space. Neumann’s U67, the tube microphone that defined the sound of the 60’s, reissued in spectacular fashion in 2018. Sorry man, the pictures just show each mic stacked against the u87. The nuanced differences presented themselves further down the signal chain. nice. This reissue of the U67 has almost the exact construction and power supply as the original, with a feature switch to toggle between Cardioid, Omni and Bi-Directional polar patterns. ⁠ In this episode of The Microphone Show, we put a vintage Neumann U87i against the current production version of the mic, the Neumann U87Ai.Our U87-vs-U87 shootout included sung … Thanks for taking the time to do this. Using a pre-emphasis/de-emphasis circuit not dissimilar to tape technology, the K67 capsule was designed with a large high-frequency boost – effectively masking the noise floor of the microphone’s tube power supply, whilst also providing a remarkably linear frequency response. ), 9 Best XLR Cables For Home Recording (2020), Slate Digital Release Brand New Free Plugin ‘’Fresh Air’’. The Neumann TLM 67 is a large-diaphragm condenser microphone in the classic Neumann style. Wow, awesome job Angus, looking forward to giving this a listen. As with the U67, the TLM variant features the same bright K67 capsule, with a similar compensation circuit that is deliberately designed to offset the higher frequencies and saturate in a similar way to its older relative. In most cases, the microphones were used in extremely close-proximity scenarios, encouraging the singer to take advantage of the added “weight” and punch in the microphone’s low-end. Equipped with three switchable polar patterns (omni, cardioid, and figure-8), a low-cut filter and pad – well-ahead of its time – the U67 quickly found itself in the hands of the world’s production elite. Many thanks to Angus for doing this. This may or may not be desirable, and is entirely dependant on the role of that particular instrument in the total arrangement. In this Virtual Mic Shootout we listen and compare the Slate VMS, Townsend Sphere L22, and the Antelope Edge microphones to their vintage counterparts. You need an account to post a reply. In comparison, the TLM felt strained in the upper-mid frequency range, even when using milder compression settings. So the file “Andy 70’s u87i vmp2c-2 vs mic A” would be the u87i file to compare against “Andy vmp2c-1 Mic A”, for instance. Knowing you have a solid and reliable microphone that sounds immaculate is very reassuring, and it’s hard to put a price on this. I liked E a lot, but it was the leanest. Neumann’s innovation led to the development of the large-diaphragm K67 capsule. The following observations were made over a 12-month period whilst working at Kiln Studios in Sydney, Australia. In comparison, the U67 often sounded nasal on those same voice types – something that could easily be addressed with simple EQ, but worth noting nonetheless. ), Neumann set out to establish a higher standard for studio microphones. - @_madebypet, We're loving the symmetry in this sleek set up fro, 10 Best Mini Distortion Pedals (That Money Can Buy In 2020), I Enrolled At Point Blank Music School (Here’s My Review), 6 Of The Best Audio Interfaces For Beginners (2020), Fusing Sound Design & Architectural Principles (Interview With Ténèbre), Empowering Communities Through Knowledge Sharing (Interview With Stranjah), It’s All In The Details (An Interview With Objectiv), 11 Organizations Making A Difference To Music & Mental Health. As a director of AKA Pro Audio and co-owner of A Sharp Recording Studio & Kiln Studios, Daniel has been involved in the development of numerous groundbreaking music projects and has published research in adaptive spatial electroacoustics and applied psychoacoustics as part of his Master of Architectural Science (Audio & Acoustics) degree from The University of Sydney, Australia. Create a username and password below and an account will be created and your post entered. Gear Shootouts / Audio File Uploads / Interviews / Podcasts, Gear Shoot-Outs / Sound File Comparisons / Audio Tests, 87 Mic Shootout - against Gunter Wagner Restored 70's Neumann U87i,,,,, Introducing the fabolous TLM67/U87 to U67 mod, Affordable LDC Microphone With Multiple Voicings, Already have an account? In most cases, no additional EQ or compression was required for the U67 (other than what was configured by the guitar, pedalboard, and amplifier). Here are my responses: Can you please upload Emma's Mic C performances? I just went through all of them. ... Neumann has now re-introduced the U 67 but it will still cost you many thousands of dollars. Built with a strong regard for new “modern” American recording techniques (close-miking, multi-pattern microphones etc. The U67 also behaved wonderfully as the “mid” component of an M-S configuration. The tube U67 paired beautifully with our UA1176 & TubeTech CL1B compressors – emphasizing the rich lower-mid frequencies without aggressively altering the smooth transient response. Recording Hacks – Neumann Mic Shootout: U87i vs U87ai Randy Coppinger – Lawson L47 II vs. Heil PR40 Randy Coppinger – Audio Technica AT4060 vs. Neumann u87Ai Your email address will not be published. On first listen, I'm leaning towards "F" for most.......but I need to do more extensive listening. Share Tweet. I noticed a brilliant, silky top-end and unbelievably clear mids. Thanks for doing this! Looking forwards to the reveal. Very much looking forward to seeing the results! I thought F stood out as being the brightest and maybe a bit more spitty. Similar characteristics were experienced when recording female vocals. Neumann’s U67, the tube microphone that defined the sound of the 60’s, reissued in spectacular fashion in 2018.A gorgeous recreation meticulously reproduced to original specifications, the U67 provides engineers with a zero-compromise large-diaphragm microphone that is extraordinarily versatile and unmatched in sound quality. In comparison, the TLM67 feels tight and rich, but never as “deep” and three-dimensional as the original or reissue. The Neumann TLM67 retails for approximately USD$2,500 (approx. Required fields are marked *. The omnidirectional pattern was particularly complimentary for tighter instruments (parlor acoustics, gypsy-jazz guitars and mandolins) where a closer microphone placement is required without an overly-aggressive low-frequency boost. Aside from its striking pearl-grey finish, the TLM60’s dimensions and silhouette are identical to the U67.